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Stop-Motion Animation Foundational Research

Unit 1: Stop-Motion Animation & Foundational Research. Students explore persistence of vision, digital research credibility, storyboarding, animation physics, and production.

EWElizabeth Whitver
Persistence of Vision

Unit 1, Lesson 1: Persistence of Vision lesson outline exploring frames per second (FPS), professional exemplars, and flipbook creation.

S.E.E.K.ing Information

Unit 1, Lesson 2: Introducing the S.E.E.K. digital search strategy to help students research, verify, and document credible facts about a historical figure for their future stop-motion script.

Ten Facts & Internet Safety

Unit 1, Lesson 3: Synthesizing historical research into 10 punchy factual sentences for the stop-motion script, while conducting an internet safety scavenger hunt on Phishing, Digital Footprint, and Privacy.

Storyboarding the Micro-Script

Unit 1, Lesson 4: Introducing the anatomy of a storyboard, exploring visual action, camera shot directions, and drafting an 8-frame visual storyboard plan for the stop-motion animation.

The Physics of Animation

Unit 1, Lesson 5: The Physics of Animation. Combining Squash and Stretch, the 1-Stud Rule, set construction stability, lighting consistency, and storyboard revision.

The Animation Studio

Unit 1, Lessons 6-8: Multi-day animation studio production block. Teams establish student roles, execute industry production cues, and shoot their 10-fact historical stop-motion animations on iPads.

Stop-Motion Animation Foundational Research

Unit 1: Stop-Motion Animation & Foundational Research. Students explore persistence of vision, digital research credibility, storyboarding, animation physics, and production.

EWElizabeth Whitver

Watch your instructor model 12 FPS vs. 4 FPS live using a pre-made animation sequence!

Lesson 1: Persistence of Vision Slide 4 of 7


STUDIO LAB TIME Pacing: 25 mins

COLLABORATIVE

HANDS-ON PRACTICE

Sticky-Note Flipbooks

Team up with a shoulder partner. Combine drawing and timing to animate a ball bouncing cleanly using exactly 12 sheets.

The golden rule: Move your object only a tiny bit on each page. Giant jumps cause teleporting!

Production Workflow

  • 1 Get 1 pad of sticky notes. Flip to the bottom sheet (Page 1) to begin.
  • 2 Draw a simple ball at the top edge. On the next sheet up, trace the ball 5-10mm lower.
  • 3 Repeat until it hits the ground (squashes) and bounces back up.
  • 4 Have your partner flip the corner while you inspect for fluid motion.

Lesson 1: Persistence of Vision Slide 5 of 7


SYNTHESIS Pacing: 5 mins

PARTNER CHECK

STEP 1: SWAP & FLIP

Partner Quality Audit

Swap your completed 12-frame flipbook with a neighboring pair. Help each other check that timing meets standard before we wrap up today!

The Fluidity Checklist

  • Fluid Motion: Is the spacing tiny and consistent, or does it make a giant leap ("teleport")?
  • The Physics: Does the ball squash slightly when it hits the bottom note to simulate weight?
  • Frame Count: Does the sequence utilize exactly 12 pages for smooth pacing?

Lesson 1: Persistence of Vision Slide 6 of 7


SYNTHESIS Pacing: 5 mins

WHOLE CLASS

REFLECT TOGETHER

What was the hardest part about making the movement look "real"?

Was it keeping your drawings consistent in size? Or was it controlling the tiny distance shifts between each sticky note?

UP NEXT...

S.E.E.K.ing Information

Tomorrow, we start applying our visual skills to real-world research!

You'll learn the S.E.E.K. system to find 10 verified facts about a historical figure for your stop-motion script.

Lesson 1: Persistence of Vision Slide 7 of 7

Urbandale Community School District • Animation & Digital Production APA Reference: Common Sense Education. (2026). S.E.E.K.ing Information. Common Sense Media. Page 1 of 2

Sub-Ready Lesson Plan

S.E.E.K.ING INFORMATION

Lesson 2 (Continued)

Crucial Discussion Questions

  • Q1: Why is using a single word like "Chavez" less effective than a specific query like "What were Cesar Chavez's core values?"
    Expected Student Response: Single words bring up millions of commercial and modern news pages. Specific terms immediately target historical records and primary facts.
  • Q2: Why must animators cite where their research comes from?
    Expected Student Response: To follow legal and ethical rules, build trust with the audience, and give proper credit to the researchers who recorded the facts first.

03. Collaborative Studio: SEEK It Out Worksheet

25 Minutes

Students work in partner pairs to complete the SEEK It Out worksheet. They analyze Jamie's endangered animal science project scenario, practicing how to apply Specific, Explore, Evaluate, and Keep Track parameters.

Step-by-Step Task Instructions:

  1. Distribute 1 SEEK It Out Student Worksheet to each pair. One partner reads the science project scenario aloud.
  2. Under Specific, draft 3 highly targeted keywords Jamie needs to search for.
  3. Under Explore, list what types of resources and domains (.gov, .edu) are most reliable for endangered animal research.
  4. Under Evaluate, write 2 ways to verify if the site contains accurate, unbiased information.
  5. Under Keep Track, list strategies to cite information and avoid plagiarism.

04. Reflection & Clean-Up (Two-Step Presentation)

5 Minutes

Guide reflection across two slides: first, a partner search checklist comparison, and second, a whole-class synthesis.

Step 1 Script (Slide 6 - Search-Term Audit):

"Compare your S.E.E.K. worksheet responses with the pair sitting next to you. Did they select more specific terms than you? Did they discover other reliable domains? Run through the checklist together!"

Step 2 Script (Slide 7 - Whole Class & Preview):

"Let's reflect: How did using specific search terms speed up your pre-production planning? Tomorrow, we will turn our historical research into a solid, structured 10-fact script and discuss safety!"

Formative Assessment Scale

Learning Requirement: I can follow legal and ethical rules when using others’ work in productions.

Score 1.0 (Beginning)

With help, the student can identify basic elements of attribution but cannot write proper citations or identify reliable domains.

Score 2.0 (Approaching)

Student lists required citation components and uses broad terms, but misses key attribution parameters (like URL, retrieval date, author).

Score 3.0 (Meets Target)

Student independently applies S.E.E.K. to find 3 verified facts, documenting perfect keyword queries and clean domain attribution (.gov / .edu).

Urbandale Community School District • Animation & Digital Production Page 2 of 2

TARGETED (S.E.E.K.)

"Cesar Chavez union beliefs"

Returns precise academic articles, primary letters, and verified educational history pages (.edu / .org) detailing his specific values immediately.

Result: Rapid Factual Verification

Lesson 2: S.E.E.K.ing Information Slide 4 of 7


STUDIO LAB TIME Pacing: 25 mins

COLLABORATIVE

JAMIE'S PROJECT

SEEK It Out Studio Challenge

Jamie is working on a science project about endangered animals and needs to gather information. Use S.E.E.K. to help him build an accurate, cited report!

Open your SEEK It Out handouts with your partner and begin drafting.

Worksheet Deliverables:

  • 1 Specific: List the exact search keywords Jamie needs to find facts on endangered species.
  • 2 Explore: What types of resources are most helpful for Jamie to explore?
  • 3 Evaluate: How can Jamie verify the quality and accuracy of the facts?
  • 4 Keep Track: What strategies should he use to cite and trace his sources legally?

Lesson 2: S.E.E.K.ing Information Slide 5 of 7


SYNTHESIS Pacing: 5 mins

SEARCH COMPARISON

STEP 1: SWAP & REVIEW

S.E.E.K. Worksheet Audit

Compare your worksheet responses with the pair sitting next to you. Audit which terms gave the most reliable endangered animal results!

The Search-Term Audit

  • Specific: Did their keywords target precise sub-species instead of general names?
  • Explore: Did they prioritize .gov, .edu, and verified database sites?
  • Keep Track: Did they recommend clear strategies to log authors and URLs?

Lesson 2: S.E.E.K.ing Information Slide 6 of 7


SYNTHESIS Pacing: 5 mins

WHOLE CLASS

REFLECT TOGETHER

How did using specific search terms speed up your pre-production planning?

Did starting with a clear "Specific" query make it easier to find exact endangered species details? Think about how much time you saved compared to scrolling through infinite random links!

UP NEXT...

Ten Facts & Internet Safety

Tomorrow, we take our research and finalize our "10 Facts" outline.

We will also explore crucial creator safety concepts: Phishing, Digital Footprints, and Privacy.

Lesson 2: S.E.E.K.ing Information Slide 7 of 7

Urbandale Community School District • Animation & Digital Production Page 1 of 2

Sub-Ready Plan

TEN FACTS & SAFETY

Lesson 3 (Continued)

03. Collaborative Studio: Project Character S.E.E.K. Hunt

20 Minutes Minimum

Divide students into pairs or small groups. They open their **Key Facts Script Planner** worksheet.

Pacing Steps & Pair Objectives:

  1. Groups select the famous, historical, or biographical figure they will use for their final stop-motion animation project.
  2. Collaboratively S.E.E.K. 5 to 10 verified facts about their character using student devices.
  3. For each fact, write the raw fact first, and then translate it into a short, punchy script sentence on the lines provided.
  4. Identify and write down the exact source location (specific website URL, database, or archive) to establish ethical credit foundations.
  5. Determine if the fact will be shown using visual action (Action) or onscreen titles/dates (Text).

04. Reflection & Clean-Up (Two-Step Presentation)

5 Minutes

Guide reflection across two slides: first, an auditing checklist of script punchiness, and second, a whole-class synthesis on visual planning.

Step 1 Script (Slide 13 - Script Audit):

"Swap script plans with a neighboring pair. Read their sentences. Are they completely short and punchy? Did they correctly flag Actions vs. Text Overlays?"

Step 2 Script (Slide 14 - Class Reflection):

"Class, look at Slide 14. Let's reflect: What did you discover about your character during research, and how can you plan for visual movement in stop-motion? Stack your sheets and prepare for tomorrow's storyboarding!"

Formative Assessment Scale

Learning Requirement: I can follow legal and ethical rules when using others’ work in productions.

Score 1.0 (Beginning)

Student struggles to identify facts from credible sources, even with direct teacher assistance, prompts, or cues.

Score 2.0 (Approaching)

Student identifies facts from credible sources with correct domain extensions (.org, .edu) but misses exact website locations or drafts overly text-heavy script sentences.

Score 3.0 (Meets Target)

Student independently applies S.E.E.K. to find verified facts, write punchy script sentences, and record exact source website/database locations showing ethical pre-production planning.

Urbandale Community School District • Animation & Digital Production Page 2 of 2

Lesson 3: Ten Facts & Internet Safety Slide 6 of 14


SAFETY INTERACTIVE: CYCLE 3 Pacing: Group/Pair Chatter

TERM 3 OF 3

COLLABORATIVE PAIR CHATTER

What is Phishing?

With your partner, discuss and draft a definition in your own words. How can you spot a fake email alert?

Think & Write (Own Words) • Partner Swap • Class Share-Out

Lesson 3: Ten Facts & Internet Safety Slide 7 of 14


OFFICIAL REVEAL: CYCLE 3 PHISHING DEFINITION

The Official Definition:

Deceptive tricks (fake emails, websites, or login pop-ups) pretending to be trusted brands to steal your credentials and delete files. Don't take the bait!

Lesson 3: Ten Facts & Internet Safety Slide 8 of 14


TEACHER MODELING RESEARCH METHODOLOGY

S.E.E.K. DEMONSTRATION

Cesar Chavez Fact Hunt

Watch as your instructor demonstrates how to S.E.E.K. the answers to Question 1 and Question 2 on our master document!

Modeling Question 1:

Search query: "Cesar Chavez birth place date". Pinpoint Yuma, Arizona, in 1927 and note the database source.

Modeling Question 2:

Search query: "Cesar Chavez family siblings count". Identify sibling counts and verify source credibility.

Lesson 3: Ten Facts & Internet Safety Slide 9 of 14


STUDIO TIME COLLABORATIVE LAB

ACTIVE COLLABORATION

Poster Factual Hunt!

Grab a marker with your partner. Walk to your assigned poster on the wall or table. S.E.E.K. your assigned missing fact, write it on the poster, and share with the class!

We are working collaboratively in pairs to complete the class database.

Pair Research Steps:

  • 1 Locate your assigned Cesar Chavez prompt (Questions 3-10) on the wall or table.
  • 2 Use S.E.E.K. on your devices to locate the verified answer and source website.
  • 3 Write the raw factual answer and domain on your poster.
  • 4 Share aloud so the class master document is fully completed!

Lesson 3: Ten Facts & Internet Safety Slide 10 of 14


SCRIPT SKILL TRANSLATION GUIDE

RAW FOCUSED RESEARCH

Cesar Chavez was born in Yuma, Arizona, on March 31, 1927.

This has too many details for a rapid animation scene. How can we make it punchy and ready to animate?

PUNCHY TRANSLATION

"1927: Born in Yuma, Arizona."

Short, simple, and direct! Now return to your assigned wall/table poster and write the corresponding punchy sentence for your assigned fact!

Lesson 3: Ten Facts & Internet Safety Slide 11 of 14


PROJECT WORK Pacing: 20 mins

PERSONAL CHARACTER

PLANNING YOUR STOP-MOTION

Select Your Project Character!

Open your Ten Facts Worksheet. Select the famous, historical, or biographical figure you will use for your final stop-motion animation project!

Your S.E.E.K. Worksheet Goals:

1. Research and write 5-10 verified facts using S.E.E.K. on your devices in pairs.

2. Translate each raw fact into a short, punchy sentence.

3. Note the exact source location to prepare for credit lessons.

4. Categorize as Visual Action (physical movement) vs. Text Overlay (onscreen numbers/dates).

Lesson 3: Ten Facts & Internet Safety Slide 12 of 14


SYNTHESIS Pacing: 5 mins

STEP 1: SWAP & REVIEW

Script Formatting Audit

Swap your character planning sheet with a neighboring pair. Read their factual script. Is it ready for animation storyboards?

The Script Audit

  • Short & Punchy: Are the sentences short enough to be animated, or are they too wordy?
  • Source Locations: Did they identify and record specific domains and source names?
  • Visuality Check: Did they correctly flag Actions vs. Text Overlays?

Lesson 3: Ten Facts & Internet Safety Slide 13 of 14


SYNTHESIS Pacing: 5 mins

REFLECT TOGETHER

What did you learn about your character, and how can you plan for visual movement?

Think about how your character can walk, gesture, or interact on screen to tell your facts without relying entirely on text overlays. Show, don't tell!

UP NEXT...

Storyboarding the Micro-Script

Tomorrow, we take our punchy facts and draft a custom 8-frame storyboard layout!

You'll learn the anatomy of storyboarding, camera shot directions, and pre-production mapping.

Lesson 3: Ten Facts & Internet Safety Slide 14 of 14

Refinement Concept (I can refine my digital productions):

Explain that storyboards are iterative living documents. In production, plans are reviewed and revised based on constraints to meet final technical and creative goals.

Urbandale Community School District • Animation & Digital Production Page 1 of 2

Sub-Ready Plan

STORYBOARDING MICRO-SCRIPTS

Lesson 4 (Continued)

Crucial Discussion Questions

  • Q1: Why do we treat storyboards as "living documents" that we edit and revise during production?
    Expected Student Response: Because plans change once we see physical sets! We refine them to make filming easier and more visual (Learning Requirement: I can refine my digital productions).
  • Q2: Why do animators draw directional arrows inside storyboard frames?
    Expected Student Response: To plan movement direction! It tells us where characters should walk or slide frame-by-frame during actual production.

03. Collaborative Studio: 8-Frame Storyboard Draft

20 Minutes

Divide students into their established project groups/pairs. They open their **8-Frame Storyboard Worksheet**.

Step-by-Step Task Instructions:

  1. Pull out your completed Lesson 3 script containing your 5-10 character facts.
  2. Collaboratively map out your story structure: frame 1-2 (Beginning), frame 3-6 (Middle - core action facts), frame 7-8 (End - resolution). Note: You must identify this structure yourself as part of the assessment!
  3. Sketch your frames using simple, bold stick figures. Draw action arrows to designate character motion.
  4. Underneath each frame, write down the corresponding punchy script sentence on the lines.
  5. Annotate each frame's designated camera shot angle (e.g., CU for Close-up, MS for Medium, WS for Wide).

04. Reflection & Clean-Up (Silent Critique)

5 Minutes

Run a Silent Critique gallery walk. Students swap sheets and audit each other's visual storytelling clarity.

Silent Critique Prompt:

"Swap storyboards with another pair. Do not read their script sentences. Look strictly at their drawings. Can you tell the story of their character without reading a single word? Give them positive and constructive feedback on Slide 7!"

Formative Assessment Scale

Learning Requirement: I can develop a plan for my media production.

Score 1.0 (Beginning)

Student struggles to map consecutive visual steps or sketch sequential frames, even with physical teacher assistance/prompts.

Score 2.0 (Approaching)

Student sketches frames, but sequence lacks structure (Beginning, Middle, End), motion direction arrows, or designated camera shot types.

Score 3.0 (Meets Target)

Student independently maps an 8-frame storyboard with structured sequence (B/M/E), clear visual action, motion arrows, and camera angle annotations.

Urbandale Community School District • Animation & Digital Production Page 2 of 2

Establish setting.

Lesson 4: Storyboarding the Micro-Script Slide 4 of 8


DIRECT INSTRUCTION SKETCHING TECHNIQUE

SIMPLE STICK FIGURES

You are not drawing art masterpieces!

Use simple stick figures, circles, and blocks to represent characters and props.

Overcomplicating drawings wastes pre-production time. Keep drawings rapid, symbolic, and clean!

MOTION ARROWS

Plan the Direction of Travel

Draw directional arrows inside your storyboard frames to represent:

  • A character sliding left to right.
  • A prop falling down from the sky.
  • The camera panning to follow an action.

Lesson 4: Storyboarding the Micro-Script Slide 5 of 8


STUDIO TIME Pacing: 20 mins

VISUAL PLANNING

Storyboard Drafting

Open your 8-Frame Storyboard sheet in your group. Take your Lesson 3 script facts and translate them into visual boards!

Self-Identify Structure!

Map out your own Beginning, Middle, and End across the 8 frames. Wording is removed from the frames—this is your team assessment!

Storyboard Goals:

  • 1 Establish Beginning, Middle, and End structure across 8 frames.
  • 2 Sketch rapid action using simple stick figures and motion arrows.
  • 3 Write the corresponding short, punchy sentence on the lines under each frame.
  • 4 Annotate camera angles (CU, MS, WS) for production reference.

Lesson 4: Storyboarding the Micro-Script Slide 6 of 8


SYNTHESIS Pacing: 5 mins

VISUAL AUDIT

STEP 1: SWAP & INSPECT

Visual Storytelling Audit

Swap storyboards with another pair. Do not read their script sentences. Look strictly at their drawings. Can you tell their character's story?

Storyboard Audit Checklist

  • Clear Actions: Does the stick figure drawing and motion arrows explain what is moving?
  • Angle Variety: Did they vary camera shot angles (Wide shots vs. Close-ups)?
  • Logical Flow: Does the sequence flow cleanly from card 1 to card 8?

Lesson 4: Storyboarding the Micro-Script Slide 7 of 8


SYNTHESIS Pacing: 5 mins

REFLECT TOGETHER

How does storyboard planning prevent errors during physical filming?

Think about how drawing shot types and arrows on paper first saves you from getting stuck on set when moving lego or clay. Planning is the secret tool of master animators!

UP NEXT...

Stop-Motion Studio Setup

Tomorrow, we start exploring physical stop-motion animation rules with motion, lighting, and set design.

Lesson 4: Storyboarding the Micro-Script Slide 8 of 8

1-Stud Rule

Urbandale Community School District • Animation & Digital Production Page 1 of 2

Sub-Ready Plan

THE PHYSICS OF ANIMATION

Lesson 5 (Continued)

NOTE TO TEACHER (STORYBOARD REVISION GUIDE)

To stick to pacing for the lesson, do not go into great detail modeling the clay Squash and Stretch and 1-Stud rule. Introduce the concepts and then provide micro-teaching to groups that need the extra instruction.

Because today's iPad onboarding and physical setup cover a massive amount of technical content, there might not be time for revision of storyboards. If time, prompt students to use the last 2 minutes of the block to scribble physical/lighting and movement notes on their storyboards. If there is not time, storyboard revisions could be done at the beginning of Lesson 6 as a quick warm-up reflection.

03. Collaborative Studio: Active Physics & App Lab

20 Minutes Minimum

Pairs sit at their desks to set up sets, configure lighting, and launch their first active stop-motion recordings on iPads.

  1. Setup (3 mins): Secure baseplates with painters tape. Mount iPads on stable tripods. Position dedicated lamps close to sets.
  2. iPad App Onboarding (4 mins): Launch Stop Motion Studio Pro. Configure frame rate to exactly 12 FPS. Test onion skinning.
  3. Clay Bounce Test (6 mins): Animate a clay ball bouncing. Shape clay to show Squash (flat upon hitting baseplate) and Stretch (long during flight). Capture a 12-frame sequence.
  4. LEGO Walk Test (7 mins): Animate a LEGO figure walking across a baseplate. Move the figure exactly 1 stud (knob) per frame to ensure fluid, non-teleporting movement.

04. Reflection & Clean-Up (Playback Audit)

5 Minutes

Run an animation playback audit in groups, followed by the "Check the Gate" clean-up ritual.

Step 1 Script (Slide 8 - Playback Audit):

"Swap iPads with another pair. Review their recorded tests. Did their characters teleport, or was the walk fluid? Is there any shadow flicker?"

Step 2 Script (Slide 9 - Check the Gate & Clean-up):

"Clean your lenses with the micro-fiber cloths. Let's practice our production cue: 'Check the Gate!' Ensure baseplates are recorded, clean tables, pack LEGO bins, and stand ready to start full production tomorrow!"

Formative Assessment Scale

Learning Requirement: I can use media to tell a clear and effective story.

Score 1.0 (Beginning)

With help, student can take pictures in the app, but struggles with camera shake, teleporting movements, or flicker.

Score 2.0 (Approaching)

Student uses stop-motion tools to capture frames, but struggles to adapt techniques to resolve choppy moves, camera bumps, or light flicker without teacher prompts.

Score 3.0 (Meets Target)

Student independently adapts to production and software tools (Stop Motion app settings, clay shapes, tripod locking) in standard/experimental ways to capture smooth sequences.

Urbandale Community School District • Animation & Digital Production Page 2 of 2

The Timeline:
  • Onion Skinning: The slider on the left. Blurs your previous frame on screen so you can perfectly line up your next move!
  • Setting the Frame Rate

    For today's lab, configure your project settings to run at exactly 12 FPS.

    This represents our standard stop-motion timeline. (12 clicks = 1 second of fluid movie time!).

    Lesson 5: The Physics of Animation Slide 5 of 10


    MINI LESSON: PART 4 SQUASH AND STRETCH

    GIVING OBJECTS LIFE

    Animate with Weight!

    Squash and Stretch is the fundamental rule of gravity animation. When a clay ball impacts the ground, it squashes flat. As it leaps, it stretches long. This gives objects organic life!

    Lesson 5: The Physics of Animation Slide 6 of 10


    MINI LESSON: PART 5 THE 1-STUD RULE

    INCREMENTAL TIMING

    The 1-Stud Rule

    To animate walking figures smoothly, move your LEGO character exactly one stud (knob) per frame. Moving further in a single click causes the figure to "teleport" or look highly choppy!

    Lesson 5: The Physics of Animation Slide 7 of 10


    STUDIO TIME Pacing: 20 mins

    HANDS-ON EXPLORATION

    The Physics & App Lab

    Secure your baseplate, setup lighting, configure Stop Motion Studio Pro, and run your first active motion tests in pairs!

    We are working collaboratively to master physical timing and camera care.

    Physics Lab Workflow:

    • 1 Secure baseplate with painters tape. Mount iPad firmly onto a stable tripod.
    • 2 Position a dedicated lamp near your set to eliminate shadow flicker.
    • 3 Configure project timeline to run at exactly 12 FPS. Test onion skinning.
    • 4 Animate a clay bounce (Squash/Stretch) and a LEGO walk (1-Stud Rule).

    Lesson 5: The Physics of Animation Slide 8 of 10


    SYNTHESIS Pacing: 5 mins

    STEP 1: SWAP & PLAYBACK

    Lab Playback Audit

    Swap iPads with another pair. Review their recorded bounce and walk tests. Did they master stop-motion physics?

    The Lab Check

    • Fluid Motion: Did the lego figure walk smoothly, or did it teleport (giant jumps)?
    • Clay Weight: Did the clay ball squash slightly upon hitting the bottom baseplate?
    • Flicker Audit: Is the background lighting perfectly solid, or do shadows flicker?

    Lesson 5: The Physics of Animation Slide 9 of 10


    SYNTHESIS Pacing: 5 mins

    PRODUCTION RITUAL

    Clean-up & "Check the Gate"

    Before we clean up tables and stack lego bins, let's practice our director's ritual: **"Check the Gate!"** Spot-check your lens, record baseline baseplate placements, and secure your files.

    UP NEXT...

    The Animation Studio

    Tomorrow, we start exploring physical stop-motion animation rules with motion, lighting, and set design.

    Lesson 5: The Physics of Animation Slide 10 of 10

    Sub-Ready Plan

    THE ANIMATION STUDIO

    Lessons 6-8 (Continued)

    Day 7: The Middle Sequence & Climax (Facts 4-8)

    Production Lab (25 mins)

    Objective: Shoot frames 49-96. This is the core action and climax of their 10-fact historical narrative script.

    Sub-Teacher Troubleshooting Tips: If students get stuck because an object fell over, teach them to use Onion Skinning to align the model perfectly to the shadow of the last captured frame!

    Daily Synthesis (5 mins): Peer Review. Swapping iPads with a neighboring pair to run a visual audit. Give exactly one positive "Glow" on frame consistency or lighting.

    Day 8: Resolution & The "Wrap" (Facts 9-10)

    Production Lab (25 mins)

    Objective: Finalize shooting (Facts 9-10) and credits. Shoot the "Hero Shot" (linger on the final frame for 2 seconds / 24 clicks so the audience can read the concluding fact!).

    "WRAP!" is called. Students disassemble sets, pack LEGO bricks, and organize tripod storage.

    Daily Synthesis (5 mins): Cleanup Challenge. Teams compete to return all LEGOs, clay, and iPads to their storage zones in exactly 3 minutes.

    Formative Assessment Scale

    Learning Requirement: I can execute specific roles in a collaborative media project.

    Score 1.0 (Beginning)

    Student struggles to cooperate, follow directions, or understand basic responsibilities of their assigned studio role.

    Score 2.0 (Approaching)

    Student performs core role duties but relies on constant teacher correction to follow production cues or keep up with team storyboards.

    Score 3.0 (Meets Target)

    Student independently executes their assigned role, utilizes industry cues (Quiet on Set, Check the Gate), and collaborates to hit daily frame count targets.

    Urbandale Community School District • Animation & Digital Production Page 2 of 2

    Active capture loops.

    Lessons 6-8: The Animation Studio Slide 4 of 9


    PRODUCTION DAY 1 DAY 6 MILESTONE

    Facts 1 to 3

    The First 30 Frames

    Your Day 6 goal is to shoot the beginning sequence of your movie. Keep characters stable, follow the 1-stud rule, and secure a flicker-free background.

    Daily Target: 36-48 total frames captured!

    DAILY REFLECTION

    Ghost Hands Audit

    Loop playback with your team at the end of class. Scan every frame carefully. Did any "ghost hands" accidentally get captured in the shot?

    If so, select and delete those specific frames from your timeline before wrapping up!

    Lessons 6-8: The Animation Studio Slide 5 of 9


    PRODUCTION DAY 2 DAY 7 MILESTONE

    Facts 4 to 8

    The Climax Sequence

    Your Day 7 goal is to shoot the core action middle sequence. If an object falls over, don't panic! Use onion skinning to align the model to its ghost shadow from the previous frame.

    Daily Target: Reach 96 total frames!

    DAILY REFLECTION

    Peer Progress Audit

    Swap iPads with a neighboring pair. Watch their movie's middle sequence and offer one positive "Glow" about their frame consistency, camera stability, or Squash/Stretch physics!

    Lessons 6-8: The Animation Studio Slide 6 of 9


    PRODUCTION DAY 3 DAY 8 MILESTONE

    Facts 9 to 10

    The Hero Shot & Credits

    Your Day 8 goal is to shoot the ending resolution and credit slides. Use the "Hero Shot" rule: let the camera linger on the final factual frame for 2 seconds (24 clicks) so the audience can read the concluding fact!

    Daily Target: Reach 144 total frames!

    DAILY REFLECTION

    Cleanup Challenge

    When "WRAP!" is called, teams race to secure materials. Return all lego parts, pack clay blocks, store lights, and pack away iPad devices safely in their designated bins.

    Goal: Total set cleanup in under 3 minutes!

    Lessons 6-8: The Animation Studio Slide 7 of 9


    PRODUCTION AUDIT Pacing: 5 mins

    FINAL REVIEW

    Production Quality Audit

    Evaluate your team's completed stop-motion timeline. Have you met our professional standards before we publish?

    The Creator Checklist

    • 12 FPS Target: Is your frame rate setting correct, or is the timeline too fast or slow?
    • Flicker Prevention: Did you maintain a dedicated shadow-free lighting profile?
    • Role Execution: Did each group member execute their assigned production duties?

    Lessons 6-8: The Animation Studio Slide 8 of 9


    SYNTHESIS Pacing: 5 mins

    THE PIPELINE CONCLUDES

    Check the Gate & Prepare to Screen

    Your raw 10-fact stop-motion animations are fully shot, recorded, and finalized. Double-check your iPad storage, clean your desk, and prepare for our classroom debut!

    UP NEXT...

    The Frame Festival

    Tomorrow, we launch our Unit 1 premier: **The Frame Festival!** We'll screen our animations and practice professional viewing etiquette as creators.

    Lessons 6-8: The Animation Studio Slide 9 of 9

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